video performance, 10’10’’
Poruszenie, Muzeum Sztuki w Łodzi

In the shadow of impending catastrophe, this performance seeks a suitable throne for the Messiah by resurrecting the forgotten motif of the four Great Mothers (Sarah, Rebecca, Rachel, and Leah). By dragging four office chairs through the city streets toward corporate headquarters – identified as the seat of patriarchal expansion and spiritual decay – the work transforms utilitarian objects into sacred havens. These „thrones” become sites of interaction where passersby are invited to participate in a narrative of Fullness (szlema). Drawing on the teachings of Jakub Frank, the work proposes that the coming Messiah (Maszicha) must be female, replacing the unstable patriarchal „tripod” with a four-fold foundation of peace and reclaimed agency.